Sunday, February 20, 2011

Mustabating In The Bath Room Wife

not just songs!



I have often questioned the role that should always have a song and I'm back with my mind at the time of my childhood, when the songs heard on the radio were for the people a good time to get away and just listen to the radio, and whistles were soon learned by all. It was usual to see a worker who carried on their work to the rhythm of the song of the moment. Who can forget "Rocco master, the cobbler near my house as a child pounding a hammer on the unfortunate upper, to the tune of "Old boot, how long ago? It was fun, so I passed on purpose in front of his tiny shop shoemaker and listened to him in secret. Then they all sang: "bound like the ivy," rather than "The number one danger, the woman" or "little house in Canada", "Nosebleed" and even "black facet of Abyssinia" , as long as you sang. The text of the songs were often detached from reality, but the important thing was the moment of joy that even a simple march could to result in the simple people of that time. Then would come the songs of the singers engaged by the strong socio-political content in the years of protest and the song would have lost the simple function of amusement that had at one time. Once the Festival of San Remo was really waiting for all year and represented an opportunity to renew the singing of each closet. I remember I bought the booklet with all the lyrics already a few weeks before the race, learn them all by heart and try to sing, even if I did not know what would be the music. The houses of those few who owned a television set is full of people who attended the evenings Festival in silence, to absorb all the nuances of the event. Formed, on the spot, the parties to Modugno, Claudio Villa and Sergio Bruni and made the inevitable predictions about who would be the winner. He was certain that the day after those songs would be sung throughout the country and joined the singing of baggage each. Ask now if anyone remembers the title of the song that won the festival last year! San Remo, in fact, has lost its natural induced to become a millionaire, where the social event has replaced the interest in the songs. After that for years the most popular singer-songwriters had deserted the Festival, Roberto Elders this year, has accepted the challenge, fielding a veritable poetry in music: "Call me love again." His piece is an effective political-social lesson for young people and "their hopes too often disappointed." It 'an invitation to boys and girls to voice their opinions and inviting playing its weight since it is targeted to a chair and so important in a particular social and political moment for the country. The message is particularly brave in a time when the policy is in permanent lunch break and when you put the work is more concerned at the expulsion of non-EU boats desperate to give breath to the national economy. If songs are not just a few minutes just a sung text can reach so many people and where it affects more people than any book that those same people will never read. If all those boys and girls "so beautiful" will continue "to shout in the streets because they are killing the thought" So Long live San Remo!, Roberto Vecchioni Hurrah!, Long live a song like "Call me love again!" Long live the songs !
Good Life!
maestrocastello

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